And when you think about the broken pieces collected from your relationship, you know that will also never be the same. And like your relationship, it has become fragile as you watch a piece fall off the vase when you lifted off the table. The vase will never hold flowers again because it cannot hold water. Held together by history and commitment but still broken. Like the pieces missing from your relationship. There are holes in it created by pieces you did not find and never will. You slowly turn it around on the table and realize it is an archaic reproduction of its original form. Something so precious you often proudly displayed it to friends Over a period of three weeks, you managed to glue the vase back together. You find two small pieces, place them on the table and stare down at the broken pieces of something you cherished and was beautiful. When you believe all the pieces have been collected and placed on the table, you do one last search for the smallest pieces you may have missed. After all, you’ve had it for thirty years. You realize it may not be the same as it once was, but would vase be good enough to keep. You must be methodical and cautious because your path is covered with egg shells. Imagine trying to pick up the pieces of your life, left behind in the wake of betrayal. For a moment you’re not sure what to do but then you decide to try and repair it. It reminded me of something I wrote many years ago about a vase that was knocked off the shelf and broken into many pieces. Betrayal is the ultimate form of deceit and deception. Love and marriage are often broken by betrayal, lies and unkept promises. I refer to the story, as “The Broken Vase.” I answered, “when promises, borders and commitment are broken, and especially betrayal, the relationship may be repaired but never return to what it once was or could have been.”īefore she left, she thanked me for giving her a copy. She said, “everything is fine, but I cannot get your story or quote about the broken pieces out of my mind.” She took a deep breath raised her head and, in half whisper, said, “it really described the broken pieces in my marriage? I asked, “is everything all right,” knowing she did not ask me to meet to discuss a job offer. We sat in the restaurant for forty-five minutes discussing her new job opportunity when her face grew solemn. It was quite radical at the time.A few weeks back, a longtime friend asked if I would meet her for lunch to discuss a new job offer. “It was something specially written for the fade-out, which was very effective but it was quite cheeky and we did a fast ending. Listen to the best of The Beatles on Apple Music and Spotify. We picked up one of the lines, “My baby don’t care,” but completely altered the melody. McCartney, remembering the Abbey Road sessions for “Ticket To Ride” and the way the song’s ending was devised, said: “Instead of ending like the previous verse, we changed the tempo. They worked straight through into the early hours of Wednesday November 24, by which time there were ten clips of five different songs that could be used in markets around the world. Filming began in the afternoon, and besides director Joe McGrath, who would later direct 1969’s The Magic Christian, starring Peter Sellers and Ringo Starr, there were four cameramen, a sound recordist and a lighting man. The promo film for the song, seen above and shot along with four others at Twickenham Film Studios in November 1965, was a long day’s work for everyone involved. The fact that only two takes are listed does not accurately represent the time spent on perfecting the finished master. They were then subjected to numerous overdubs until everyone was satisfied with the result. Unlike many of their previous recordings, where multiple takes were individually numbered, “Ticket To Ride” and some other songs from this period were created from a basic rhythm track. Ringo’s drum patterns, in particular, are very different to those heard on a regular pop single. The song marks a sea change in The Beatles’ singles: it was their first to run for over three minutes, as well as being more complex both musically and in its lyrical inspiration than its predecessors. The scenes were filmed just a month after they recorded the song, in a verité style that clearly inspired the music videos that became so prevalent in the 1980s, following the rise of MTV. In the film, “Ticket To Ride” is the soundtrack to shots of The Beatles on the ski slopes at Obertauern in Austria. When “Ticket To Ride” came out on Capitol in the US, the accompanying press release declared that the song was “from the United Artists release Eight Arms To Hold You.” For a long time, this was the working title for the picture that came to be known and loved as Help!, which was released in late July, just ahead of the group’s new LP of the same name.
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